3-ways consists of 3 canvases lying in wait, suspensefully awaiting words, touches of light and movement. it is a series of objects, all familiar but with purpose removed allowing for a projection of relationships and meaning to be assigned. each conversation may begin with a familiar if not recognizable voice but will not be tied to it. each character is allowed its vices, its prejudices of its predispositions and their acclimations. landscapes, buildings, graphics, and lines will all be spoken and assigned yet none shall imply the appearance of the other. 3-ways is a conversation in which you are neither the subject or object but inserted as an ‘other’ awaiting a stabilization of relationships and loyalties.